Browse Items (101 total)

Black ink illustration for "The Chick and the Duckling".

Black ink on acetate indicating areas to print using cyan ink for "The Chick and the Duckling".

Black ink on acetate indicating areas to print using magenta ink for "The Chick and the Duckling".

Black ink on acetate indicating areas to print using yellow ink for "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

A page from Ariane Dewey's reference notebook used in the creation of "The Chick and the Duckling".

The front cover of the book "The Chick and the Duckling".

Printed pages from the book "The Chick and the Duckling"

Original pencil illustration for "Stonewall"

The front cover of the book "Stonewall".

Printed pages from the book "Stonewall"

Close-up view of a printed page from the book "Stonewall".

A pencil and ink illustration on acetate used as a color separation indicating areas to print black ink.

A pencil and ink illustration on acetate used as a color separation indicating areas to print green ink. Both the green and black areas in this illustration were printed using green ink.

The front cover of the book "The Wonderful Egg".

Printed pages from the book "The Wonderful Egg".

Pencil illustration for the original version of the book "Nana Upstairs & Nana Downstairs".

An ink illustration on acetate used as a color separation indicating areas to print pink ink for the original version of the book "Nana Upstairs & Nana Downstairs".

An ink illustration on acetate used as a color separation indicating areas to print ochre ink for the original version of the book "Nana Upstairs & Nana Downstairs".

The front cover of the 1973 version of the book "Nana Upstairs & Nana Downstairs".

Printed pages from the 1973 version of "Nana Upstairs & Nana Downstairs".

The front cover of the 1998 version of the book "Nana Upstairs & Nana Downstairs".

Printed pages from the 1998 version of "Nana Upstairs & Nana Downstairs".

A pencil and ink illustration for "I'll Fix Anthony".

An illustration on paper used as a color separation indicating areas to print red ink in the book "I'll Fix Anthony".

An illustration on paper used as a color separation indicating areas to print yellow ink in the book "I'll Fix Anthony".

The front cover of the book "I'll Fix Anthony".

Printed pages from the book "I'll Fix Anthony".

Pages showing the colors that result from overprinting cyan, magenta, and yellow inks at different percentages.

Black ink illustration for "Gregory, the Terrible Eater".

A watercolor illustration on acetate used as a color separation indicating areas to print cyan ink.

A watercolor illustration on acetate used as a color separation indicating areas to print magenta ink.

A watercolor illustration on acetate used as a color separation indicating areas to print yellow ink.

A watercolor illustration on acetate used as a color separation indicating areas to print grey ink.

A foldout page from Ariane Dewey's reference notebook showing different percentages of the process colors to be applied to various elements in the original line drawing.

A page from Ariane Dewey's reference notebook used in the creation of "Gregory, the Terrible Eater".

A page from Ariane Dewey's reference notebook used in the creation of "Gregory, the Terrible Eater".

A page from Ariane Dewey's reference notebook used in the creation of "Gregory, the Terrible Eater".

Printed jacket for "Gregory, the Terrible Eater"

The printed cover of the book "Where Are You Going, Little Mouse?"

The front cover of the book "Where Are You Going, Little Mouse?"

Black ink illustration for "Where Are You Going, Little Mouse?"

Watercolor illustration for "Where Are You Going, Little Mouse?"

A color separation proof created through a photographic process to isolate areas of cyan.

A color separation proof created through a photographic process to isolate areas of magenta.

A color separation proof created through a photographic process to isolate areas of yellow.

A color separation proof created through a photographic process to isolate areas of black.

The front cover of the book "The Terrible Troll-Bird".

Printed pages from the book "The Terrible Troll-Bird".

A black print from a lithographic stone used in the production of "The Terrible Troll-Bird".

An illustration on acetate used as a color separation indicating areas to print blue ink.

An illustration on acetate used as a color separation indicating areas to print red ink.

An illustration on acetate used as a color separation indicating areas to print yellow ink.

A photograph of a lithographic stone used in the production of "The Terrible Troll-Bird".

The front cover of the book "A Story, A Story".

Printed pages from the book "A Story, A Story".

A color illustration on rice paper created using multiple woodcuts.

A woodcut print on rice paper used as a color separation. The black areas in the print will be printed with 100% yellow, 90% magenta, and 90% cyan inks to create a brown color in the final book.

A woodcut print on rice paper used as a color separation. The black areas in the print will be printed with 100% yellow and 30% cyan inks to create a light green color in the final book.

A woodcut print on rice paper used as a color separation. The black areas in the print will be printed with 45% black ink. When this ink is overprinted on light green areas it creates a dark green color in the final book.

A color separation on acetate. The blue writing indicates different percentages of cyan, magenta, and yellow ink to print in the red areas. The camera used to create the engraved printing plates will not pick up the blue writing; only the red areas…

A color separation on acetate. The blue writing indicates different percentages of magenta and yellow ink to print in the black areas. The black shapes labeled "white drop out" indicate to the engrave that no ink should be printed in this area,…

A color separation on acetate. The blue writing indicates different percentages of cyan, magenta, and yellow ink to print in the red areas. The camera used to create the engraved printing plates will not pick up the blue writing; only the red areas…

A color separation on acetate. The blue writing indicates different percentages of cyan, magenta, and yellow ink to print in the red areas. The camera used to create the engraved printing plates will not pick up the blue writing; only the red areas…

A color separation on acetate indicating areas to print with solid black ink.

A color separation on acetate. The black illustration is labeled "white drop out" indicating to the engrave that no ink should be printed in this area, regardless of what any other color separations indicate.

The front cover of the 1990 edition of the book "My Hands".

Printed pages from the 1990 edition of the book "My Hands".

Printed pages from the 1962 edition of the book "My Hands".

An ink illustration on acetate used as a color separation indicating areas to print black ink.

An ink illustration on acetate used as a color separation indicating areas to print orange ink.

An ink illustration on acetate used as a color separation indicating areas to print red ink.

An ink illustration on acetate used as a color separation indicating areas to print yellow ink.

A line copy illustration from "Millions of Cats" by Wanda Gág.

The left half of this image shows enlarged halftone dots of increasing size. The right half of the image shows the impression of continuous tone that is created when these dots are printed very small.

Additive colors - red, blue, and green - and the colors created when they are combined.

Subtractive colors - cyan, magenta, and yellow - and the colors created when they are combined.

The front cover of the book "Don't Let the Pigeon Drive the Bus!".

The front cover of the book "Little Pear Tree".

The front cover of the book "One Cool Friend".

The front cover of the book "Olivia".

The front cover of the book "Kitten's First Full".

The front cover of the book "The House in the Night".

The front cover of the book "Polar Bear Morning".

The front cover of the book "Beastly Verse".

The front cover of the book "Children Are Naughty".

The front cover of the book "Counting Crows".

The front cover of the book "Hoot Owl: Master of Disuguise".

The front cover of the book "Leo: A Ghost Story".

The front cover of the book "Little Red".

The front cover of the book "Shh! We Have a Plan".

The front cover of the book "Where Bear?".

The front cover of the book "Wild About Shapes".

Photograph of Ariane Dewey explaining preseparated art to Paul Mostrom.

The front cover of the book "Hector and Hummingbird".

Printed cover for "Gregory, the Terrible Eater"